Jay Rutherford·2026 Holyrood electionsNews·17th May 2026Scottish Greens make history winning Edinburgh Central
Discussing UoE’s Regenerative Sustainability strategy with Social Responsibility and Sustainability Deputy Director Scott Davidson
Lily Pollard·CultureTheatreTheatre Review·20th May 2026Review: The Bodyguard at the Edinburgh Playhouse
Nina Uy·Edinburgh SportSport·19th May 2026Formula Student UK: The engineers behind the University of Edinburgh’s car
Sophia Olefir·CultureTheatreTheatre Review·6th March 2026Review: GUTTER’s Rosencrantz and Guildenstern are Dead
Madeline Mulligan·CultureLiteratureTheatreTheatre·20th October 2025To see or not to see: is Shakespeare still relevant?
Sophie Cosham·CultureLiterature·14th October 2025“Innocent flower” or “serpent under’t”? In defence of Shakespeare’s Lady Macbeth
Lily Pollard·CultureTheatreTheatre·23rd March 2025Modernising Shakespeare: Where should we draw the line?
Sophia Olefir·CultureTheatreTheatre Feature·18th February 2026Shakespeare productions in unconventional settings: what’s the point?
Annie Campbell·Book vs FilmCultureFilm & TV FeatureLiteratureLiteratureUncategorized·28th January 2026To Fictionalise Or Not To Fictionalise, That Is The Question
Teioh Nuan Ning·CultureTheatreTheatre·29th October 2025Edinburgh University Shakespeare Company’s Salvador Kent on Romeo & Juliet and ‘traditional’ Shakespeare
Isabella Nuttall·LiteratureLiterature·14th October 2025Timeless or Tired? Reflecting on the Study of Shakespeare.
Aislinn McSharry·CultureTheatreTheatre·5th March 2025Review: Much Ado About Nothing, Theatre Royal Dury Lane