Greek mythology is undergoing somewhat of a resurgence in media and in the collective consciousness right now with the huge success of Nolan’s The Odyssey. Among the most pertinent discussions that this resurgence has brought with it, is that of the representation of women in Greek mythology and in its adaptations. Jack Moran adds to this discussion in his new play A FACE, which attempts to recentre Helen of Troy in the story of the Trojan War.
Greek mythology can be a tricky, overwhelming, and ostensibly snobbish subject to get into, so much so that people often don’t know where to start. A FACE recounts an accessible but not oversimplified version of the classic myth, meaning that only a baseline knowledge of the original tale is required to enjoy this show. Clear and simple costume and set design are a visual aid to the story telling, and this clarity is one of the main successes of the play.
Despite the fact that Helen of Troy is the reason for the Trojan War beginning, she is traditionally depicted as a subsidiary character, with most of her story happening “off stage,” so to speak. By making Helen the protagonist, A FACE successfully reframes the narrative, giving Helen a voice rather than just a face.
Unfortunately, this structural reframing is not reflected in the narrative of the play, which continues to paint Helen as a fairly passive character, defined in relation to men. Interpretations vary as to whether Helen was abducted by Paris or chose to flee with him. This adaptation sees Helen decide to leave Sparta with Paris. By having Helen leave Sparta of her own accord, Moran awards her agency. However, this is the only real choice she makes in the play, a choice that leaves her in the shadow of a male character. Considering the liberty afforded to adaptations, especially of a tale told so many times, I feel that more changes could have been made in order to draw out the feminist message intended.
Although it is no groundbreaking reimagining, A FACE tells an old story from a new perspective and for that it is certainly worth a watch.
A FACE is running until 15 August at The Space on The Mile. Buy tickets here.
Press image provided to The Student by A FACE.
