When looking at constellations in the sky, the viewer determines what is important. Constellations is complex and cosmic — each audience member is bound to see something slightly different.
Constellations, presented by the St Andrews Art Theatre, explores the existential implications of quantum multiverse theory through the display of a variety of the infinite possible ‘versions’ of a relationship between two characters.
Authored by Nick Payne, Constellations follows the journey of beekeeper Roland and theoretical physicist Marrianne (or Martin), and the structure of the play constantly reminds the audience of its existential themes.
Directed by Aidan Monks, the St Andrews Arts Theatre presented the show as a double-bill, with two different casts giving similar though differing versions of the play – designed to be viewed in succession, though undoubtedly providing a thought-provoking experience for those only able to attend one production.
In the first performance, Aubrey McCance and Tatiana Kneale demonstrated a thoroughly impressive, versatile range. I was thrilled by their depiction of how variations in our tone, mannerisms, and behaviours can have monumental impacts on the outcome of a situation. I was thoroughly impressed by their performance and the way in which it encouraged ponderings about how, in every moment, there are infinite ways in which we can choose to act.
Use of an unraised traverse stage, with a rig illuminated by fairy lights arching over the actors and audience, as well as perfectly timed music and precise lighting, succeeded in entirely immersing the audience within the performance. At certain points, the proximity honestly felt like we were eavesdropping on intimate moments between the actors.
Prior to viewing, I did have my concerns that — as someone who is regrettably rather impatient with repetition — I would find myself easily distracted during the second iteration. However, I am pleased to say that this could not have been further from the truth.
Performances by Dylan Swain and Callum Wardman-Browne fascinatingly contrasted those of their predecessors, more successfully convincing the audience that their characters were ‘the same person’ being placed in various different situations. This sharp difference from the first performance in itself posed existential questions to the audience — am I the same person as a version of ‘me’ who would make different choices?
Constellations was thoughtful, moving, and immersive. Monks has attracted a reputation for being ambitious in his choices, and in this instance, it completely paid off.
Image by Caitlin Conway, provided by St Andrews Art Theatre for press use