Dating is, by nature, performative. In the pursuit of romance, we have all put on acts to present the most likeable, datable versions of ourselves. But what happens when this performativity turns political? Introductions is a witty and relatable new musical that holds a mirror up to the exhausting reality of modern dating.
The story follows Dylan and Paige, two singletons who have somehow found each other among the endless scrolling on dating apps and dates that lack chemistry. The catch? Unbeknownst to Paige, their political views are completely different.
As Dylan attempts to maintain the illusion of being aligned with Paige on the political compass, his white lie spirals out of control as Paige’s “woke” ideas leak into his everyday life. As their relationship develops, Dylan is forced to decide whether to commit to a life of lying, or fess up to his truths as he becomes frustrated.
Introductions masterfully uses dark humour and hyper-relevant cultural references to dissect modern romance. The production is driven by catchy musical numbers, delivered with sharp timing by the fantastic cast.
However, the production occasionally falters when trying to push boundaries. One particular song crosses the line from sharp satire into somewhat distasteful territory with the inclusion of slurs. Whilst clearly meant to be understood strictly in-character to highlight the political friction (and indeed, the song is about why the slurs should not be used) the choice feels jarringly unnecessary and cheapens an otherwise clever script.
Nevertheless, for anybody who has ever survived a Hinge date, or met somebody so attractive that you have considered compromising your morals for them, this musical remains a compelling watch that sparks genuine conversation about modern connection.
Introductions is running until 22 August at Lower Hall at Grand Lodge at Braw’s Venues. Buy tickets here.
Image by @aimee.h_photography on Instagram, provided to The Student for press use
