A Montage of Monet is a one man show that gives glimpses of the father of impressionisms most personal and impactful moments.
Joan Greening demonstrates a clear depth of impressionist history in her writing, which was a clear strength of the show. Greening writes so seamlessly, capturing these profound moments and stringing them together succintly.
The production of the show is simplistic, and minimal, as is with many Fringe shows. However, the choice to have the visual aids in the form of a projection on an easel took away somewhat from the hazy darkness of the room. I caught myself wanting a greater sense of dynamism from this aspect of the show.
Stephen Smith’s portrayal indicated a clear respect for the artist and the wider impressionist movement. The parts discussing Monet’s romantic relationships were performed with an excellent balance of heartfelt emotion and archaic sleaze. Smith expressed these delicate moments to the audience without hesitation. At times the humour that would cut through these moments took away from the acuteness of the accounts. Although I completely understand the choice to adopt an RP English accent, I did feel myself annoyingly noticing it, especially when humour was deployed. A great performance, nonetheless.
If you have even the slightest curiosity of the life that shaped one of the greatest pioneers of the impressionist movements, then I would recommend you go along to this show. It’s warm, reminiscent prose and insightful accounts will not disappoint.
Image “Vincent van Gogh” by KUUNSTKUULTUR is marked with Public Domain Mark 1.0.