Directed by Freddie Greenwood and Lexie Dykes, Table for Two is a showcasing of several duologues, varying in length, character, plot and sentiment. “People You Know Productions” accepted submissions of student-written duologues in September 2024, wherein successful writers were given the opportunity to refine their work collaboratively as a team before casting. Originally consisting of thirteen duologues and set in a restaurant instead of a bar, Table for Two has shortened to fit the timings and logistics of Bedlam theatre’s Bedfest 2025, cherry picking seven duologues to assemble a delightful chocolate box of conversation.
The bar setting works beautifully, with seamless transitions between conversations through a simple change in lighting by Willa Meloth and Ottavia Morfino to emphasise a new table’s discussion. The intimacy of Bedlam theatre lends itself to the feel of an evening at the bar, with continued jazz soundtrack throughout, one truly felt immersed as if eavesdropping from the next-door table.
We were joined in the bar by an impressive range of performances, from unbearably awkward birthday parties that left you squirming in your seat in Dylan Swain’s “The Minute Details”, to the raving, ratty hysteria that silenced the audience in Zeynep Kayra Yildirim’s “Like A Rat Up A Drainpipe.” The variety that Dykes and Greenwood achieved was far-reaching and admirable, allowing Table for Two to become a mirror-like performance of the differing colours and genres that conjure life itself.
Whilst this was mostly well-executed and effective, the narrative of a “stale relationship” was a little over visited and began to feel slightly repetitive. This was rescued, however, by the strategically timed comical interjections of the more repetitive Mr Gravel, played with hilarious enthusiasm by Matthew Clegg. Aidan Monk’s “Don’t Think” in particular, was deliciously unpredictable and unique. In this duologue, Daisy Paterson’s portrayal of stiff-as-a-board Margaret, married to Geordie Coles’ perfectly pompous Septimus, left Bedlam ringing with laughter.
Overall, Dykes and Greenwood should be immensely proud of Table for Two, their wish that the audience leaves the theatre feeling “refreshed and entertained” was absolutely fulfilled. Table for Two is a charming celebration of life in all its varying stages and is a true testament to the capabilities of student talent and collaboration.
Image Courtesy of People You Know Productions.