Adapting classics into films is not a new phenomenon, however, there has been a sudden surge in period dramas being rolled out by major streaming services. Whilst Bridgerton and The Buccaneers are newer stories designed to appeal to Gen-Z with their modern soundtrack, classics that have stood the test of time are now being reimagined for younger audiences. But with each new version, the same question arises: are more adaptations necessary? Do we need more of them, or are we losing the essence of the originals?
Last week, the BBC announced their upcoming adaptation of Hadlow’s The Other Bennett Sister, which centres on Mary Bennett, the often-overlooked sibling in Austen’s beloved novel. The series is set to air on the 30th anniversary of the BBC’s iconic Pride and Prejudice show—famous not just for Colin Firth emerging from the lake. As a longtime fan of the book and adaptations, I’m eager to see how they bring Mary to life, a character who, though more awkward and self-righteous than her sisters, is finally stepping into the spotlight she deserves.
Another Pride and Prejudice series is in early development at Netflix, with Dolly Alderton, best known for Everything I Know About Love, writing the script. The series, if greenlit, would mark Netflix’s first Austen adaptation since their poorly received adaptation of Persuasion starring Dakota Johnson, which received heavy criticism and a 30% rating on Rotten Tomatoes. There are already concerns from fans about the direction Netflix might take with this adaptation, questioning how faithfully the source material will be treated.
This news follows criticism surrounding the casting of Jacob Elordi and Margot Robbie in the upcoming adaptation of Wuthering Heights. Many critics have questioned whether the directors have even read the book, as Brontë explicitly describes Heathcliff as an ethnic minority, a vital aspect of his character which has been erased in his casting. Fans can’t help but be disappointed that key characteristics of their beloved characters have been overlooked in favour of casting high-profile Hollywood actors, sparking further debate about modern literary adaptations.
Whilst some adaptations may bring fresh perspectives for overlooked characters like Mary Bennett, others risk losing the essence of the original works. It’s clear that reimagined works will continue to fuel debate about what we gain—and what we lose—when we revisit these beloved classics.
“woman from ‘Pride and prejudice’.” is marked with Public Domain Mark 1.0.